Pink Hair Don't Care

Pastel pink hair using Overtone

Brown, Blonde, Blackish, Red, Orange, Pink I've always played with my hair color.  It started in high school when my friend and I were experimenting with a home kit in her bathroom. She had decided I would look good as a coppery red head so we tried it out and this started my love affair with changing my hair.

Coloring your hair color can be drying and damaging so I always make sure to use sulfate free products, wash infrequently, use dry shampoo and apply dry oil as a leave in treatment, and use a deep conditioner weekly.  I was thrilled when I found Overtone, a color depositing conditioner that can enhance your color without damaging it. It's the ultimate fun, no commitment hair color. Since it's conditioner, it's hydrating and won't ruin your hair. Plus,  it's vegan and sulfate free so what are you waiting for?!

I'm naturally strawberry blonde, although my hair has naturally darkened with age.  I've been using the pastel pink and vibrant pink for a few years now as it enhances the strawberry tones and is flattering with my skin tone. Since I'm so pale and freckled, I find that tones that aren't too overpowering while not being so pale that they wash me out are best.  With the ginger tones in my hair the pink turns rose gold on me. Rose gold and pastel pinks are universally flattering as they warm up any complexion. I've never received as many complements as I do when I have pink hair. People are always puzzled when I tell them it's color conditioner and easy to diy so I wanted to share my hair color secrets here. This is not a paid post btw, I just want to support a fellow female run business and a product I believe in.

Dye brush applicator

I use a hair color application brush, you can get them cheap on Amazon here. I find that it helps give better control over where the color goes and makes for a more even result. I also like to do it on the lightest part first and often not on my roots at all because it makes the color there darker. I've used it in the shower but then missed sections and I'm too much of a perfectionist for that. I wash my hands immediately but you can wear gloves. I'm a little too lazy for that but would definitely recommend if you are using the extreme color or darker shades.

Overtone Pastel Pink Deep Treatment

Overtone sells three levels of pigmented conditioner: pastel, vibrant and extreme with daily conditioners or weekly deep conditioners. Daily versions have less pigment than weekly. I use mine every few weeks and then let it wash out so that i can enjoy the different colors as it washes and fades out. They have so many fun colors, teal, lavender, silver, peach, rose gold. With 24 colors in all, the sky's the limit.

There's one caveat, it will show up better on bleached hair. I get my hair balayaged a few times a year and then paint on the conditioner onto my highlighted hair. I then let it sit for various times depending on the intensity of color I want to achieve, up to 30 minutes or so and then wash it out and occasionally shampoo and then air dry. Overtone helps to make it fool proof by showing a color swatch of how the various colors turn out on lighter to darker hair.

I like to wear bold statement earrings with my pink hair. Gold brings out the warmth in the color and silvers and grays pair nicely as well. You would be surprised just how versatile pink hair can be!

Shown: Janna Conner Evelina earrings

Try it yourself! I'm giving one Overtone Pastel Pink Complete Set of : Daily Conditioner, Deep Treatment and travel size conditioner. Enter on my Instagram @jannaconner to win!

A Day at the Los Angeles Opera with Carmen

My first memories of opera, take me back to grammar school.  My mother had briefly trained to be an opera singer before abandoning it in pursuit of becoming a doctor. Of the two, she found medicine to be the lesser difficult discipline even though she was one of only three women in her USC medical school class. Whenever she picked me up from school I was greeted with Die Zauberflüte or another one of her favorites blasting out of her car, announcing her arrival in the carpool lane.  Despite enjoying opera, I'd actually never been to see one before.  Truth be told I think I was a little intimidated. Going to the opera was for aficionados, people who knew every aria and composer by heart.  Nevertheless, I was excited when my mom asked me to join her to see Carmen at the LA Opera.

On the left, the original Carmen, Célestine Galli-Marié in Carmen, by Henri Lucien Doucet (1884), musée de Marseille.

Above illustration of Carmen by Luc for Journal Amusant 1875, a french satirical weekly magazine.

Before every performance, the conductor, James Conlon, gives an hour long introduction. He is also the music director and has quite an impressive career, conducting at La Scala in Milan and over 270 times at the Metropolitan Opera in New York in addition to serving as the director of the Paris National Opera.  He's a great speaker, very informative and I appreciated the backstory of Carmen that he gave while dropping little fun facts and juicy tidbits about its inception. The orchestra is below the stage so you can't see the musicians during the performance but you can see Conlon with his hair whipping back and forth as he waves his baton energetically.  Mozart in the Jungle was in the back of my mind as I watched him conduct.

Ana Maria Martinez as Carmen. Photo by Ken Howard / LA Opera

I had always thought of Carmen as a Spanish opera. I was partially right, it takes place in Spain, but is sung in French (Bizet was French). Since I speak French, it was fun trying to decipher some of the arias as they were sung and not solely relying on the subtitle teleprompter that hangs above the stage. It was adapted from the novella by Prosper Mérimée, that came out in 1845.  Georges Bizet adapted the story of Carmen into his opera and died three months after it debuted in march of 1875,  at the age of only 36! Similar to Mozart who died at 35. It's remarkable to think what both of them could have achieved if they had only lived longer.

In the 19th century, Spain seemed like an exotic and distant backdrop for the story of a Roma femme fatale whose magnetic charisma and sultriness captivated every man she encountered. Carmen is on her work break from the local factory when she meets Don José, a naive soldier who is the only man in the square oblivious to her charms. She is intrigued by this challenge and sets her sights on acquiring his affections. After a factory dispute ensues, Don José is ordered to question and imprison her but she escapes with his help, he is then put in jail and reconnects with her upon his release. After a scuffle with his commanding officer, Don José is forced to desert the military and his mother and her wishes for him to marry the girl next door. He joins Carmen's gang of smugglers but becomes jealous that meanwhile Carmen's feelings have shifted to a well known matador named Escamillo. Incensed, Don José kills Carmen in a fit of rage outside the arena.

With all this melodrama, I was surprised to learn that Carmen is considered Opéra Comique. Essentially that means to separate musical numbers with dialogue. Carmen is a feminist prototype, she is unapologetically in control of her own destiny. She is completely transparent about her motives both to do what she wants and to love freely. "L'amour est un oiseau rebelle" She does what she wants when she wants, sometimes rather capriciously. The opera's depiction of lawlessness, immorality, and the murder of the main character made for a bold subject matter both at the time of its writing and even today. Carmen has become one of the most popular operas thanks in part to its many well known arias such as Habanera and Toreador.

Flamenco in Carmen. Photo by Ken Howard / LA Opera

Not only are there wonderful singers in Carmen,  there are also talented flamenco dancers. They give a physical expression to Bizet's dialogue and assist in the telling of Carmen's story. They are led by Spanish choreographer Nuria Castejón,  a dancer with the Ballet Nacional de España and choreographer for Pénelope Cruz in Pedro Almadovor's Volver.  Their costumes are magical as they stomp, heels clicking with fringe flying. The toreador's costumes were also fantastic with satisfying detail all the way down to the pink socks!

If I were dressing Carmen, I would pair my Hazel tassel earrings in Onyx and this embroidered tulle dress by Needle and Thread

Taking a bow at the end of Carmen

Such a revered opera calls for an impressive setting and the Dorothy Chandler Pavilion of the Los Angeles Music Center does not disappoint. It's hard to believe that once upon a time, this center did not exist. In fact, it's only 53 years old. Dorothy, the wife of the former LA Times publisher Norman Chandler, spearheaded the fundraising efforts to get the center made. At the time, the Philharmonic was sharing a performance space with a local church since the early 20's, and Dorothy Buffum Chandler thought that Los Angeles deserved something a little more dignified in stature. The center was built by Seattle transplant architect Welton Becket and Associates, responsible for iconic Angeleno buildings such as the Capitol Building, the Beverly Hilton (the home of the Golden Globes), Pan Pacific Auditorium, Cinerama dome and LAX Theme building to name a few. Built from 1964-1967, becoming at the time the nation's second biggest music center after Lincoln Center in New York.

Photos from Top to Bottom, Dorothy Chandler at the opening in 1964.  Zubin Mehta, left, Dorothy Buffum Chandler and architect Welton Becket. Eva and Marc Stern Grand Hall with lattice windows. One of many chandeliers in the grand staircase.

Gustavo Dudamel isn't the only young music director that the Los Angeles Philharmonic has had. Bombay, India born Zubin Mehta, was only 28 when he became the music director at the time of the opening! He was known as Zubie Baby and the Swinging Symphonist. The ushers were dressed in raspberry and orange red Nehru collared jackets in tribute to his heritage.

Architectural drawing of the orchestra foyer by Welton Becket and Associates. The foyer today.

The philharmonic played at the Dorothy Chandler Pavilion until 2003 when it moved down the street to Disney Hall. The building while not overly impressive from the outside is quite grand on the inside. It houses large lattice like windows and countless chandeliers from the sixties.  Upstairs where the talk is given prior to the opera, there is a bar with a large Frank Stella painting and an adjoining nook with Chinese wood screens that make you want to curl up with a whisky cocktail and a cozy conversation. It's like entering a time warp but in the very best way. All the decor appears to be original, from the pea green carpet and dark paneled walls to the ornate chandeliers. This is an impressive feat in a city like Los Angeles that loves to tear down or remodel anything that is remotely past its prime.

Frank Stella Irregular Polygons, 1966. Champs baby! One must have champers at the Opera. Pictured in front of one of many gold mosaic tiled columns. Gilded swallows swoop around the mezzanine bar, Chinoiserie in the mezzanine.

You can see Carmen this Saturday, September 23rd as it's simulcast live in Santa Monica (for more SM info click here) and Exposition Park. Admission is free, doors open at 5 pm and show starts at 7 with a running time of 3 hours 25 minutes with 2 intermissions. Bring your chairs and blankets and picnic under the stars. Los Angeles magazine is even hosting a Wine Terrace on the pier. Sadly, no alcohol is permitted at Exposition Park. For more info on Exposition Park, click here.

Opera under the stars in Santa Monica. Photo by Craig T. Matthew

14th Factory Tour: 10 reasons you need to go now!

I had seen a lot of images of 14th Factory popping up on my Instagram feed when it opened in Spring. For one reason or another, I wasn't able to make it until earlier this month. Since it was late in its run, I wondered if it would be worth it or if it was another Museum of Ice Cream type of expensive selfie photo op. I decided to go and I'm so glad I did. It's closing at the end of July, so make your way there as soon as you can!

The outside of the factory is painted black with giant Chinese characters and black and white flags hanging outside the entrance, imparting the foreboding feel of a pirate ship. (I have a 5 year old son, so we see Pirates everywhere these days) I love that it's in Lincoln Heights, a peaceful, industrial neighborhood I often drive through on my way home. Once inside, there are 14 rooms showcasing mainly Simon Birch's work, the British born, Hong Kong based artist who is the founder/creator of the 14th factory. I spent my Junior year abroad in Hong Kong, and haven't been back since so was excited to see this little bit of Hong Kong brought to LA.

Los Angeles was not the first city envisioned to be the home of 14th factory. 5 other cities were previously in the works, the most recent, New York City, but with all other cities, the project was about to open to the public and they either lost their funding, permitting etc, so this installation has been years in the making and very much a labor of love. Supposedly two of the pieces in the factory were sold to LACMA, so it seems that there really was a happy ending after all.

The site selected for 14th factory LA is huge; 3 acres in total in a former warehouse, making it the largest experiential art project in LA. When I visited, they were in the process of filming a documentary for the BBC, and hoping to have the next site take place in London. This whole project is like a rotating mini museum that is entirely funded by ticket sales and donations. There is no guided tour as you walk through the space, and because of its size it can be a little confusing and overwhelming at times. Birch's intention was that it be an informal space for viewing art in a casual setting rather than the conventional museum going experience. He often gives talks on site and has other collaborative, interactive events with artists on the weekends.

What was the most famous room in the factory (that is until the crown room selfie fiasco) is a replica of the room from the last scene in Stanley Kubrick's 2001. The light up floor emanates a lot of heat, each group of 4 or so has 2 minute to walk through, without shoes on and experience it. It's gimmicky for sure but still pretty cool to experience.

The Barmecide Feast by Simon Birch and KplusK associates

Garlands by Simon Birch, Lily Kwong and KplusK associates.

Next up is an interior courtyard, filled with grass. They had just replaced it the evening before. Even though the ceiling is perforated, with the extreme heat of LA summers, the grass just couldn't survive very long. There were a few swings scattered throughout but we were told not to step on the grass because it had just been put down. With nobody on the grass it seemed like a haunted idyllic playground.

In the Garlands hall there are 10 photographs by Li Wei with various people suspended in mid air. They were shot with the subjects on cranes and in some you can see the expression of the crowd as they look at the people flying in front of them.

Upclose of The Crusher by Simon Birch, 300 wood and steel painted pitchforks suspended from the ceiling. Acrylic paintings by Dominique Fung, The Inhabitants. Closeups of vegetables in various stages of decay.

One way we've found to keep our son actively engaged while looking at artwork is to give him a camera to record his own view of the art. It's fascinating to see the angles and compositions he comes up with. We also discuss what's going on in the piece, be it the subject matter, technique employed, setting or materials involved.

Closeup of the audience watching of The Inevitable By Eric Hu and Simon Birch.

The video of a vintage Ferrari speeding and crashing, flipping over and over until it's destroyed feels hypnotic and voyeuristic, it's hard to look away from. I'm not personally a big car fan, but I can imagine that this video is upsetting for any car aficionado. My son was incredulous that anyone would willing destroy a car. (Again 5 year old here) Various pieces of the car wreckage are displayed on a long table in the adjoining room like archaeological finds.

Hypercaine by Simon Birch, Gloria Yu, Gabriel Chan, and Jacob Blitzer.

Sometimes you experience an emotional reaction just from simply looking at a piece of art, and with others the story behind it makes it much more impactful.  At first glance, this room had simplistic crowns made out of various stones and metal juxtaposed with more intricate Alexander Mc Queen like head pieces and some metal fragments. When chatting with the security guard, he explained that various pieces throughout the exhibit detailed the emotional journey that Birch embarked up on after being diagnosed with terminal brain cancer. Some pieces represent the chaos and turmoil of receiving such a grim prognosis. Others are more hopeful. The metal fragments and some of the metal cages were made from Birch's actual brain scans. This is also the room where a girl attempting to take a selfie recently fell backwards, knocking several of the pedestals down in a domino effect and causing $200,000 worth of damage. Its great when people can get right up close to enjoy and experience the artwork but it's a shame when people are careless and inconsiderate. Just because it's not a conventional museum viewing experience doesn't mean that the artwork shouldn't be treated with the same respect.

Tannhauser by Simon Birch

One of my strongest memories living in Hong Kong was how crowded it was, with people and buildings.  It made New York City look like a suburb. I was there in 1997 so I can only imagine what its like now, with the rapid pace of development. Hong Kong has so many of these drab high rise buildings shooting everywhere out of the ground up to the sky everywhere as far as the eye could see.  Tannhauser gives the experience of riding upwards in a glass elevator outside these buildings as it goes from the ground floor up. Dizzying and electrifying, I really enjoyed it and you can see from the face of my son above, he did too!

Clear Air Turbulence by Simon Birch

The last piece of the show is Clear Air Turbulence, which is comprised of salvaged airplane tails submerged in a steel frame pool.  The shadows reflecting in the still water create a peaceful calm while the eeriness of the subject matter makes it slightly unsettling. The airplane tails seem like a scene of a giant plane crash. With the deck chairs circling one end its like pulling up a chair to a car crash. Voyeurism on steroids.

14th Factory closes July 30 with special events until then. A panel on the Art Experience and the age of Social Media is this Saturday, July 22 and Simon Birch will be tattooing various limited edition designs all day Saturday as well.

Tickets are $18 online, $22 at the door with residents of Lincoln Heights entering for free with valid license.

440 North Ave. 19
Los Angeles, CA 90031

My Must Have's for 4th of July

This year the 4th falls on a Tuesday so it's a particularly long weekend.  That means lots of bbqs, parties and socializing with friends. I've been watching my calories lately, trying to lose the last of my baby weight and I've switched it up from my usual wine to tequila. The reason why is that tequila has fewer calories (64 per ounce), is naturally sweet (since it comes from agave) and has a lower glycemic impact and no hangover! This makes it one of the healthiest options for alcohol around. I usually drink mine with a few limes squeezed and a dash of sparkling water but for the holiday weekend I may splurge and throw in a splash of fresh squeezed grapefruit!

The Paloma

Picture by Sam Linsell (Drizzle & Dips)

Ingredients

• 1.5 ounces of reposado tequila (or a good quality blanco)
• juice of half a ruby grapefruit
• 0.5 ounces of agave syrup or simple syrup
• 2.5 ounces of club soda
• a dash of fresh lime juice (optional)
• Ice cubes

Instructions

• Mix the grapefruit juice, tequila and agave syrup until well mixed.
• Pour over a tall glass filled with ice and top with soda water.

Options

• Add a dash of lime juice
• Rim the glass with salt
• Leave the sugar out, it won't be sweet but it's still delicious!

What do I intend to be doing this weekend whilst sipping my tequila you ask? I grew up in Manhattan Beach and my parents still live there so summer weekends often include a little beach time. I like to keep things simple when beach bound. My favorite accessories I'll be rocking will definitely include some festive shades of blue!

I first learned about Teixits Vicens from a friend of mine who has a vacation home in Mallorca, Spain. I've never been to Mallorca, (or Spain for that matter) but am dying to go. Teixits Vicens is a family owned and operated textile company that hails back all the way to 1854! They use all natural fibers like cotton and linen and they make all their patterns in house. There are so many beautiful colors and designs to choose from it's hard to pick just one. I ultimately chose the Petate beach bag in blue ikat. It's huge and fits everything (I"m a bit of a pack rat, I like to be prepared for anything) They also make home accessories, clothing, shoes and bags even chairs. In this day and age when it's increasingly difficult to find items that are not mass produced, it's so special to find something unique and hand made.

Anyone who is familiar with my jewelry line, knows I LOVE lapis. I love it's rich vivid blue hue, reminiscent of an Yves Klein painting. I use lapis a lot in my pieces, both in my fashion and fine collection. One of my favorite fashion lapis styles are these elongated Sarotte drops. I purchased these lapis stones on one of my annual trips to the Tucson Gem Show and then electroformed 18k gold on them to make a minimal bezel. I really wanted the emphasis to be on the beauty of the lapis rather than a flashy setting, which is why I often opt for a minimalist clean setting when making my jewelry.

I hope whatever you're doing this holiday weekend, you're having fun and staying safe! Cheers!

Photo with flag: Kim Myers Robertson / Trunk Archive

Desert X: 6 must sees in Palm Springs

I love Palm Springs. I love that it's far enough from LA that it seems like a getaway while being close enough that you could go for a day if you wanted. I love the dry heat, the mountain views and the hot air blowing through the palm trees at night. I love the desert landscape, the modern architecture with its relaxed California lifestyle. Palm Springs enjoys a history of being both a past favorite for Hollywood's glamorous like Frank Sinatra and Bob Hope back in the late 1930's yet is still relevant today.

Phillip K Smith III - The Circle of Land and Sky. Zara Top, Illesteva Leonard sunnies

I gave up on going to Coachella years ago, love the music but didn't love the crowds, dust and traffic. Now that I'm a parent, kid friendly adult activities are what I'm all about. When Desert X popped up on my radar, it seemed like the perfect combination of all things I enjoy most: art, nature, discovery and travel. I was not disappointed. I loved it and hope it becomes a yearly recurrence!

Jeffrey Gibson - Alive! Location: Palm Springs Art Museum

Desert X is a two month long, interactive outdoor art installation located throughout the Coachella Valley. Its like a modern day treasure hunt! Not only did it expose me to some new artist's work that I wasn't previously familiar with but it introduced me to some parts of the Coachella Valley I didn't know very well either. When I come to Palm Springs, I usually rent a house or stay in a hotel and spend the entire time poolside with drink in hand. Desert X encouraged me to venture out and explore Rancho Mirage, Palm Desert and other cities that I had been so close to all these years but had never seen. Desert X is also free to the public, so there is no barrier to entry. It was great seeing entire families out with their kids enjoying and interacting with the art.

First stop on Desert X, checking in at the Ace Hotel Palm Springs. Grab a program guide here and get on your way! There were 16 installations in all, both from local and internationally acclaimed artists. Ideally we would have been able to see them all but we had our son with us, and only 24 hours to do it in, so realistically we knew we had to be strategic before burning out. We started with the Jeffrey Gibson wind turbine at the Palm Springs Art Museum. Any visitor to Palm Springs is familiar with the famous drive in surrounded by all the wind turbines. A ready made object, the turbine is covered with the words: I AM ALIVE! YOU ARE ALIVE! THEY ARE ALIVE! WE ARE LIVING! It also has opalescent paint that shimmers in the sun and looks quite pretty with the palm tree background.

Doug Aitken - Mirage        Location: 1111 West Racquet Club Road, Palm Springs, CA 92262

Zara bomber, Goyard St Louis purse

If you've seen an image of Desert X, it was most likely Doug Aitken's Mirage. It is the longest running of all the installations and the most permanent structure. It is a completely mirrored house, both interior and exterior.  You simultaneously see your reflection along with the surrounding mountains sky and desert landscape. It's pretty incredible. As you walk through the maze like interior you see yourself and the other visitors and surrounding landscape from all angles, which is both an exhilarating and disorienting experience. The home is a suburban ranch style without any doors or windows, providing a seamless transition between interior and exterior. I went when it first opened at opens at 3 pm and there was a line snaking through the door. Because it reflects the surrounding landscape, its appearance changes depending on what time of day it is. I would love to go back at night and see it in the dark with all the lights twinkling on the valley below. While the rest of Desert X closes April 30, Mirage will remain open until October 31, 2017 so go!!!!!

Claudia Comte - Curves and Zigzags Location: Homme- Adams Park

Next up, Swiss artist, Claudia Comte's Curves and Zigzags, is the third in a series of black and white optical painting walls. The lines start out angular and morph into a curvilinear pattern reminiscent of a Bridget Riley painting. As a kid, I was always drawn to black and white op art, getting lost in deciphering where the graphic pattern changed and evolved into something else entirely. The Homme Adams park is the perfect location for this undulating wall. It houses trails that lead to a vista where you can look down on the sculpture. Desert X also coordinated a walk with the artist herself, on the morning I was there. Dries had fun running around it and looking at the giant ants that were on the ground.

Desert X is such a unique experience because it completely turns on its head the traditional notion of how one views art. It allows complete interaction between the viewer and the subject. I marveled at the lack of security, for the most part there were no guards securing the pieces with the exception of Mirage. The Richard Prince house was vandalized and subsequently closed which is a shame but I suspect that had more to do with the animosity towards his appropriation of other artists work for his own profit rather than general vandalism.  I was impressed that there was no graffiti or trash surrounding the works. I did notice the influx of bloggers that were posing with the wall, some even by putting their feet up on the walls they leaned back on it.  I wonder, why shouldn't the same rules of decorum apply to an outdoor work as would a piece of art hanging in a museum? Just because someone isn't standing there to tell you not to do it doesn't mean you should. It made me think, is this the new way we interact with art?  I do see the value in as many people interacting with art in their daily lives but fear people ruining art installations with their own curiosity and desire to touch.

Tavares Strachan - I am         Location: 35050 VIA FLORENCIA, RANCHO MIRAGE, CA 92270

Aerial photo of I am by David Blank.

Last up for day 1 was Bahamian artist Tavares Strachan's piece I am. Unlike the other daytime installations, it's only open at night Weds-Sat from 7-10 pm. We visited at closing time and it was a surreal experience. You drive down a dirt road out in the middle of nowhere, turning into a dark field. You then wander down a longish path and see in the distance neon lights embedded in metal shapes cordoned off in a field. You have to sign a waiver to go in, since it is so dark you can hardly see anything except for the neon lights, adding to the element of anticipation and spookiness. The shapes spell out "I am" scattered throughout the desert floor spanning two American football fields.  Meandering through the cutouts in the dark night with only the glow of neon and the desert wind blowing was pretty incredible. It creates a spiritual experience that is truly unlike anything I've ever seen. 

Phillip K. Smith III - The Circle of Land and Sky

After a little time in the pool, we set off the next day for Phillip K Smith - The Circle of Land and Sky. Comprised of 300 polished stainless steel rods they are inserted into the sand at 10 degree angles in the shape of a circle. Reflecting the land and sky and the interplay of light and shadow, the resulting colors never look the same depending on the time of day and the angle of the sun. Like Mirage, it's fascinating to see the interaction of mirrored image with the Sonoran landscape. The reflectors bring the sky to the ground and the desert floor to the sky, creating a unique perspective.  The Los Angeles born artist began the installation with a 1/4 mile arc in Laguna Beach in this past November and then continued the theme for Desert X.

Will Boone - Monument    Enter at your own risk!

Last stop before heading back to LA, was Will Boone - Monument. It was out in the middle of a field, again usually easy to spot the Desert X installations by a swarm of people milling around in the middle of nowhere. We parked and waited in a short line to go down the bunker where JFK was waiting for us. I was surprised at how many people I had overheard the day previously at the other Desert X sites and this one who didn't know who it was! What I liked about this work was that it was more of a private moment than the other pieces and that it was meant to be experienced alone. If you were the first one to arrive on site and it was closed, you texted or emailed for the pass code to the lock to the bunker, then swing open the hatch and down the stairs to a mini tunnel. JFK is a bronze statue painted in the style of a hobby kit. Hailing from Texas, Boone said he has always felt a connection to JFK being that was where he died. The bunker also touches upon the fear of nuclear attack and invasion of the other, something we as a society seem to be grappling with even in 2017.

Desert X was such a memorable event, I really hope that it will become a recurring exhibition.  Even if most of the installations close today, Doug Aitken's Mirage is open until the end of October so you still have time to have some of the Desert X experience!

how to do the poppy field superbloom with a 5 year old: Warning there may be whining!

I had heard about the super bloom of wildflowers in the California desert over the years but never thought much of it. Most likely because we have been experiencing a serious drought and for years there hasn't been much to see except brown, dry brush. This year though, we finally got some much needed rain, and lots of it (at least for us). Spring came early for Southern California, the wildflowers have been exploding all over the place. I see them allover on my hikes and daily errands in the car along the roadside.

I had heard reports from friends who had visited Anza Borrego and the Poppy Reserve that it was packed with people and traffic with long waits in the car. Neither are ideal if you are traveling with a 5 year old! I was looking for a little less of a commitment than A.B. or Death Valley since it was going to be just me and my son. My husband was off skiing for the day in Big Bear and I had a restless boy to entertain.  I decided to chance it and set off early in the am, by 8 after an initial travel delay. After a 70 mile drive, (5 fwy to the 14 fwy) we arrived a little past 10 am, and already the line of cars was snaking down and out of the Poppy reserve half a mile down. I would recommend setting out by 7 am for a 9 am arrival for less traffic and best light. I had heard that wildflower gazing was best accessed from the side of the road and not actually from the reserve itself. Because the reserve is protected land, visitors need to stick to trails and not wander off into the fields. I decided to pull over and bypass all the people crowding at the road side and wander through into the fields and low and behold Dries and I were alone with the poppies. It was magical, a perfect day with perfect weather. The sky was blue, there was a little crisp chill in the air with a slight breeze and the sun was shining bright. We took care where we walked and were careful not to trample or pick any flowers.

State flower of California: the Poppy

Dries in Antelope Valley Poppy Fields

Dries took this of me, not bad for a 5 year old!

Dries watches my husband Raf and I take a lot of pictures, either of jewelry or travel or daily life. We gave Dries one of our old cameras and he likes to practice along with us. This trip seemed like a great opportunity for a beginner photography lesson. We practiced composition, how to hold a camera and how to find your light source.  He was so proud and it helped him learned to look more critically at the scenery.   He took the picture of me above and the one below is his holding the flowers. Love the macro perspective with his little fingers!

Had to take a ring selfie! Shown L-R my Sidewell ring, Diamond Bar ring, and my Diamond starburst ring.

We found a farmhouse and a ramshackle old trailer that made for some good exploring. For the video, scroll down to the end!

Dries was ready to get on the road at this point so we decided to head back to LA. As we walked back to our car, we saw even more cars had joined the line to get in the reserve and there was a line to head back to LA! I had noticed patches of yellow flowers on the way in so I wanted to make sure to check them out on the way back. I'm so glad I did, they were really stunning with views of the snow covered mountains in the distance.

Snow covered mountains in the distance. The colors of all the wildflowers are just incredible. All the photos published here are all #nofilter and not retouched!

Check out the video of our wildflower adventures!

Hope you go out and have your own adventure and of course, remember to treat the wildflowers with care and not leave any garbage. It is a tricky thing to experience being in nature without affecting it at all in any negative capacity. Car exhaust, touching or trampling plants, garbage and human negligence all take their toll on the landscape. Instead of only viewing nature through the lens of a screen it's crucial to go have the physical experience of sight, sound and smell. How else can we teach our kids to care about the environment if they never experience it firsthand? Being a native of California, I love that within one hour, you can be swimming at the beach, skiing in the mountains or walking in the desert. We truly are so lucky to have such a varied landscape. Go out and explore, I'd love to hear what you find!

Travel Beauty Essentials

Summer time is a great time to for travel, whether that means local trips or to far away locales. My husband was born in Belgium but grew up in Paris so we make a trip back to both countries to visit family every year.  I love to travel but I hate to pack all my toiletries! I'm a total beauty junkie so it's very hard to narrow down my daily arsenal to pack for a trip. (I've never been accused of being a light packer...Just ask my husband!) Now that I have a child whose stuff I have to lug along as well, I've been forced to pare down to the essentials. Here are my tips for making your toiletries bag a little lighter!

Smashbox studios L.A. Lights, Make Up For Ever powder, rms living luminizer, Bite beauty lipstick, Clé de Peau concealer

When choosing items for traveling, focus on two things: size and durability. The smaller the better and nothing that is delicate. Leave your fabulous eye shadow palettes at home, they will most likely crumble and make a mess of your cosmetic bag. When I travel I love to use my makeup in stick form. Summer is all about easy beauty and I love that with sticks you can just swipe and go. I like the Smashbox Studios blendable lip and cheek color in L.A. Lights /Silver Lake Sunset. One because the name is great, (I love LA!) and two because it has a mini sponge that you can use to blend the stick into your face for a seamless application.  It's a pretty, natural color great for a flushed glow, (it's a little too pale for lips though so I don't use it for that).

I also love Bite Beauty for it's natural products and creamy lipsticks. They make all their products to be food grade because the average woman consumes 7 pounds of lipstick in her lifetime. Yikes! Each Bite lipstick is infused with the age-fighting antioxidant resveratrol — the equivalent of five glasses of wine. I've always liked to drink my wine but now I can wear it/eat it too! What's great about this Bite Beauty mini stick is that it's small and can fit in your pocket and has 2 different colors, one lighter for day and more dramatic for night. In the summer I get shiny, especially with all that sunscreen. I like to carry this mini Make Up For Ever setting powder. It's so small and I just shake out a teeny bit to tone down any unwanted t-zone shine.

My daily routine would not be complete without a highlighting product and this one by RMS Beauty is great for traveling. All natural and made with coconut oil, this travels very well because it's hardened in a pot and not like liquid tubes which can explode or get punctured and spilled. I've had this happen and it's a b*@#% to clean up! Apply this to the inner corners of your eyes, under the brow bone, the cupid's bow of your lips, bridge of nose, middle of forehead, chin, and top of cheekbones and blend. It will give your skin a dewy, radiant not shiny or glittery appearance. Love!

Last but not least, the Clé de Peau concealer can hide a multitude of sins, from jet lag to blemishes. I had a bit of sticker shock with regards to the price, but I have to admit that it's the best I've used. It's creamy and blendable and very long lasting. Some concealers slide right off or if they're long wearing can be too drying or cakey but this one is the perfect consistency. Love the stick formulation, it's perfect for traveling because it won't spill all over your bag.

Anthelios AOX, Supergoop Setting Mist, Jo Malone Mimosa & Cardomom,  L'Occitane Almond Oil

Sisley Travel size samples

Flawless makeup doesn't happen without a great base of healthy skin. I like to wear less makeup in the summertime so I try to make sure to take extra good care of my skin. Since I'm a beauty addict, I have a lot of samples that I've accumulated over the years. These used to pile up but I realized that they make great travel partners. That way I can take everything I want face masks, face wash, oils, shampoo etc. without taking up tons of space and it actually makes your bag smaller by the end of your trip because you throw things away as you finish them! It's also a great way to try out new products and see if you like them.  Plane rides can be extremely dehydrating to your skin so I use this Sisley Black Rose Cream Face Mask on any long flight and made sure to drink a ton of water. One sample has quite a bit in it, enough for probably 1-2 applications depending on how much you apply but I just use the extras on my neck and on the back of my hands, and since it's so dry on the plane they both were absorbed pretty quickly.  This rose mask applies more like a heavy lotion, don't rinse or tissue it off just leave it on. I also wouldn't normally recommend carrying a bottle of oil but I absolutely love this almond oil from L'Occitane. I first used this when I was pregnant to prevent stretch marks (which it did) but still use it to moisturize all over my skin and even the tips of my hair and cuticles. I love a multi-use product!

I typically use an anti-oxidant serum before my sunscreen everyday so I love that this Anthelios AOX by La Roche Posay has a SPF 50 and a built in serum. It eliminates an extra step and an extra bottle in your bag. The sunscreen has a great consistency and blends well and isn't tacky to the touch. It's also priced very well at under $40 which often serums alone would cost at least that alone and usually more. To touch up my sunscreen during the day, I love to use Supergoop Setting Mist in SPF 50, I just spray it on and it sets makeup a a bonus. I love the travel size, I just throw it in my purse so I'm never without sunscreen. 

I love to wear fragrance and if I'm not going on a long trip I take travel perfume bottles from Sephora. They work great and you can just spray in any one of your favorite fragrances. I was gone for 3 weeks though so I needed something a little bigger. My current fave is Jo Malone Mimosa and Cardomom and I love that it comes in a small bottle! I used to always buy big bottles of perfume but found that when you buy the smaller sizes you end up using them up quicker before they expire and are free to experiment more with different scent combinations.

Reception at You Doll You

I first got eyelash extensions 10 years ago for my wedding. In the years since, I've done it off and on. A few years back I started using Latisse which works great for lengthening your lashes but doesn't do much for making them fuller or darker. (At least for me) I am very zealous with washing all my makeup off every night but no matter how many cleanses I do (micellar water + cleansing product) I still wake up with some kind of mascara remnant under my eyes which I really can't stand. I knew I was going to be in the pool on vacation and thought I would go get lash extensions again. What's great about them is that you don't really need to wear much makeup at all with them because they really define your eyes. No eye shadow, liner or mascara. I just used a bit of blush and lip gloss, highlighter and was done.

Chinese character Zen, which is how you will feel

The treatment rooms

Eye lash selections

When I started going to Kiyomi at You Doll You, she was doing eyelashes out of her house. Since then she has moved to a few different locations, the most recent is this lovely soothing atmosphere in Beverly Hills. I chose the Silk Premium lashes, which I had last for 3 weeks with no problem. Last time I went back for a refill they told me that they will be discontinuing the silk as of this fall and only going to have the Mink which is a bit more expensive but supposedly lasts even longer. My silk premium was $85 and $50 for touch ups within 3 weeks. You doll you is the best deal in town when it comes to lashes!  I had a friend who went elsewhere and paid double and all her lashes had fallen out within a week.  It takes about an hour to have it done. I fell asleep both time, the aestheticians are so gentle, that it just feels like light feathery strokes around your eyes. To preserve the lashes, they advise against, hot showers (steam) hot ovens (cooking- which I wasn't going to do on my travels anyways and is a great excuse not to cook in the summer! ) and to not use oily products around the eye, and basically try to keep them as dry as possible. You can't take a shower within 24 hours of application because the steam will cause the eyelashes to go straight.  I waited as long as I could and took cold showers (which also makes your hair shinier) and didn't cook and was very careful about washing my face and didn't apply any makeup or oily products around my eyes and when I swam I kept my face out of the water. I typically do this anyways because chlorine is terrible for your hair anyways. So for me it wasn't a big deal but if you love to cook and take long hot showers then this might not be the ideal solution for you.  I included some before and after pictures below...

Before

After!!!!

After 3 Weeks before refill

After refill

The Broad

The Broad Museum - Downtown Los Angeles

Detail of the honeycomb lattice exterior.

The newest addition to the burgeoning LA art scene is the Broad Museum. It truly is an impressive site to behold! I love passing by it and Disney Hall every day on my commute. It's such a welcome addition to the neighborhood. It's across from MOCA, now making it a mini museum row of two impressive collections. The Broad was designed by Diller Scofidio + Renfro in collaboration with Gensler, it's a 120,000 square feet example of the "veil and vault' concept. Home to almost 2,000 works of art, there are two stories of gallery space combining public exhibition space with collection storage. The vault which houses the art storage defines the user experience throughout the museum.  It's heavy mass is visible from underneath on the ground floor and on the top level when you are walking on it.

Arriving at The Broad, going up the elevator through the vault to the top level..

 John Baldessari - Tips for Artists Who Want To Sell, 1966-68

Getting tips to make some money!

Jeff Koons - Tulips, 1999-2004. Background: Christopher Wool - Untitled, 1990

I never thought I was that much of a Jeff Koons fan but there are several works of his on display at the Broad. He's apparently one of their favorite artists to collect. The way the Tulips are displayed is pretty incredible. Light floods in from every angle from the honeycomb "veil" which forms the ceiling. On a sunny day, (of which there are no shortage of in LA) it's breathtaking. With all the light, the colors are brighter, and the reflections of the metal really standout.  There is another Koons Tulips, at the Wynn hotel in Las Vegas. See here what a difference light can make! Behind the Tulips, is a work by Christoper Wool, an artist I wasn't that familiar with but have since come to enjoy. i love how the two works of art complement each other in the space.

Julie Mehretu - Cairo,2013

Just on the side of the Tulips is another giant piece by Julie Mehretu.  Her painting juxtaposes precise technical architectural drawing with the chaos of a windstorm blowing through the city of Cairo. It's a subtle yet impactful piece. I love the little pops of neon color peppered throughout the delicate drawings.  Mehretu, born in Ethiopia,  is one of the many female and various ethnicities represented throughout the Broad. I appreciate the cultural diversity of its collection. Touring through the space I felt that they tried and succeeded in the effort to represent male and female artists from all over the world. Sure, there are the usual who's who of contemporary art like Koons, Hirst, Burden but there is also Kara Walker, Yayoi Kusama, Glenn Ligon, and Barbara Kruger to name a few.

The Vault

If you take the elevator down from the top level, you will miss one of the most interesting parts of the Broad. The vault, where they store all of the art that is either not in use or on loan, can be seen from the small stairway that leads down to the ground floor.  The Broad Art Foundation purchases fifty works of art annually, that's almost one a week! With all that art, not all can be on display at once so they have to rotate. This is the case in most museums just you never get to see behind the curtain into how or where they store all the unused artwork. The viewing windows are a clever addition to the building, offering this permanent behind the scenes view.

Yayoi Kusama - Infinity Mirrored Room - The Souls of Millions of Light Years Away, 2013

A trip to the Broad would not be complete without a visit to the Infinity Mirrored Room. The wait can run hours long for the room, an experience that only lasts approximately three minutes. My recommendation is to sign up on the queue immediately upon entering the museum. The day I went the wait was two hours but I went and toured the museum and had lunch and by the time I was done, I received my text to line up. At that point, I only had to wait 10 minutes in line. Once allowed in, the room is quite small with a central bridge that juts out over water. There are hanging lights everywhere and they are reflected on the mirrors surrounding you. Unlike with LACMA's Rain Room (which is awesome by the way) you get to enter with only your party so you can take photos with abandon and not have random people in your shot. Something I wished they did a better job of at the Rain Room but that's another story...

Ragnar Kjartansson - The Visitors 2012

One of my very favorite pieces at the Broad is The Visitors by Icelandic artist Ragnar Kjartansson. It's an hour long video shot featuring nine musicians playing the same song in several rooms of a decrepit house in upstate New York. The viewer is omnipresent, being able to view the musicians walk from one room to the next, and engage with each other or remain solitary in their chosen room. Kjartansson himself plays the guitar in a bathtub throughout the piece. The musicians are playing the same piece of music over and over for the entire hour. What seems like would become maddeningly repetitive, is actually quite beautiful.  The Visitors explores how the same lyrics performed by different musicians transform from poignant to transcendent. I've seen this piece on several visits to the museum, and since it is an hour long, it's understandable that it can be challenging to see the entire piece from start to finish.  I've noticed that for people to really get it, it's helpful to see it from the beginning to see them setup in each room, interact with each other and then check back in at the end when they unplug and all leave the house together. Hurry and go see this piece before it and other pieces from the inaugural collection are taken down Sunday, May 1.  In order to prepare for a special exhibit with Cindy Sherman, opening June 12, The Visitors and other pieces on the ground floor innaugural collection will be taken down.  Hurry up and go already!

The bar. Interior shot by Otium.

You might be hungry after seeing all those amazing works of art. You're in luck, because Otium, the new restaurant from French Laundry alum Timothy Hollingsworth and restaurateur Bill Chait ( of Bestia, Petty Cash, République and Sotto) is now open.  Hollingsworth, only 36, is a James Beard Rising Star Chef of the year recipient. A recent downtown Angeleno transplant, he describes his cuisine at Otium as "sophisticated rusticity with approachable elegance".  Otium makes the most of local talent with the vertical gardens that it cooks with by LA Urban Farms, furniture by LA furniture designer Chris Earl, staff aprons by Hedley & Bennett,  outdoor design by South Pasadena's House of Honey, and ceramics by Heath and Irving Place Studio.

Stefan Sagmeister - Inside Out and Outside in. photo by Cassia C. Borges.

I love this hand painted wall of thicket of branches spelling "Inside Out and Outside In" by Stefan Sagmeister. He's an Austrian born, New York based graphic designer and typographer, renowned for album covers for Lou Reed, David Byrne and the Rolling Stones.

Courtyard by House of Honey

Damien Hirst Isolated Elements. Large scale photographic mural on the exterior wall of Otium.

An afternoon in Downtown Los Angeles

Mural by Teddy Kelly. @teddy_kelly

Los Angeles is the mural capital of the world! I love murals and think they are a great way for art to be shown on the streets of any city. Downtown LA especially has a lot of murals and graffiti, I notice new ones popping up all the time. Since they are out in the open, you can really interact with them in a different way than art in a museum. You can get close up and touch it or even take an obligatory selfie. Natural sunlight and shadow change how they look depending on the time of day and how they age with weathering. They are like living pieces interacting within their community. This was created by artist Teddy Kelly whose mantra is to "follow the bliss" which is something we can all try to live by. The bold colors, shapes and the use of line really mesh together to create something beautiful! To think this was tagged over! Thankfully it was recently restored to its original beauty.

Verve Coffee Roasters off of Spring Street. @vervecoffee

The outdoor space at Verve Coffee Roasters.

Next stop: Verve Coffee Roasters for a little afternoon pick me up. I'm a coffee drinker through and through. I have to have it first thing in the morning; my husband can verify I'm a grouch without it! When I'm lagging in the afternoon, its aroma perks me right up. Verve originated in Santa Cruz before making its way to Los Angeles. The goal of their company is to bridge the gap from what they call "Farmlevel to Streetlevel," which provides open communication between growers and consumers. I love a hanging garden, so I especially enjoy their outdoor seating area. Besides being a cool space to hang out, they actually roast their own coffee!

Walking by the French band Wall of Death's album cover.

I'm not familiar with Wall of Death, but the vibrant colors in the album cover definitely stand out to me. You can watch their video Loveland here.

The Wings by Colette Miller.   I'm wearing Thierry Lasry Sunglasses, Frame Denim jeans, Mansur Gavriel bucket bag, Ba&sh top

Colette Miller created the Global Angel Wings Project in 2012 to "remind humanity that we are the Angels of this Earth."  She started painting her wings in downtown Los Angeles and has branched out to other parts of the world. This particular one was painted in 2013. I love the way the paint is cracking and beginning to show signs of age, giving it even more character. Miller has painted wings in locations including Africa, Australia, Turkey and Cuba. She even gave a TEDx talk to discuss how her Global Angel Wings Project expanded into a social phenomenon. Visit her website for more information.

One of three distinct lighting sculptures; this one really caught my eye. Love the massive arched windows!

Waiting for my food!

The kitchen staging area. Love the chevron design in the wood!

Terroni was originally founded in Toronto, Canada, and Los Angeles houses their only American locations. The space was first used as the National City Bank in 1924 in the Historic Core District before becoming the restaurant in 2013. The building is actually 6,ooo square feet, which is huge! It was designed by Giannone Petricone Associates. They definitely embraced a more is more philosophy when building the space. There's a lot going on; chevron marble and wood cutouts, curvilinear chandeliers, varying furniture from table to table but somehow it just works. I especially love the white marble used throughout the restaurant and under the bar, cut and adhered in a chevron pattern. The play of light and shadow make the marble look like alternating bands of black and white. Same with the wood under the kitchen staging area, pictured above. It is a very contemporary Italian space full of wit and whimsy. Everything on the menu is so delicious, you can't go wrong. On this particular visit, I ordered the special which was duck ragu' pappardelle, quattro stagioni pizza, and the ricchia salad. Delish!

A Current Affair

Last weekend I visited A Current Affair, Pop Up Vintage Marketplace in the Cooper building in downtown Los Angeles.  What a great idea, tons of vintage clothing and jewelry shops under one roof! This event takes place triennially in Los Angeles and biannually New York. This particular one was hosted by Jane Aldridge of Sea of Shoes and jewelry blogger extraordinaire Danielle Miele of Gem Gossip. Some of the stores featured were Desert Vintage in Tuscon, Arizona, Charm School Vintage in Austin, Texas, and Arrow and Anchor in Nashville, Tennessee. For future events, visit A Current Affair.

Ba&ash top, Thierry Lasry sunglasses, Mansur Gavriel bag.

Browsing through some great pieces. Some dating back to 1860! Vintage is a major source of inspiration for most designers. Decades that inspire me are the 70s and 80s for the heavy use of yellow gold and over the top opulence. I grew up with an affinity for French brands like Yves Saint Laurent, Chanel, and Charles Jourdan from spending afternoons shopping with my mom. I remember after school outings at Chanel in Beverly Hills sipping mini glass bottles of Coca-Cola while my mom tried on suits paired with jewelry. I definitely gained my love of fashion from my mother; she even wore Chanel haute couture to my wedding in Paris!

Shot of the Cooper Building in downtown LA. What a great space! The open floor plan and high ceilings allow for a unique viewing experience. With over sixty vendors, it was a nice way to incorporate so many boutiques under one roof.

Danielle Miele and I have been Instagram friends for so long, it was so great to finally meet her in person! She runs the jewelry blog Gem Gossip which is based in Nashville, Tennessee. Check out the interview we did at gemgossip.com

I can see my office from the window of the Cooper Building! I love all the historic buildings of downtown la. My office building is definitely a quirky style of architecturewith turrets on top, dating back to 1924.

Since Danielle is famous for her tagline #showmeyourrings, I was excited at the opportunity to pose with her! She specializes in blogging about jewelry trends, vintage and period jewelry and also has a fine jewelry line of her own. I love the large opal ring she is wearing with its ombré hues. I am wearing the Pearl Corrie Ring, the Diamond Bar Ring, and the Petite Cubist Ring in white topaz.